SKU: 19567604692

Sigma 70-200mm f2.8 DG DN OS Sports (Sony Mount) Full Frame lens

$904.05 $1004.50
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Description

Sigma 70-200mm f2.8 DG DN OS Sports (Sony Mount) Full Frame lensHighlights: Lens construction: 20 elements in 15 groups (6 FLD, 2 SLD, 3 aspherical elements) OS (Optical Stabilizer) function with the latest OS2 algorithm Compatible with AF assist (Sony E mount only) Compatible with lens aberration correction Compatible with high speed autofocus HLA (high response linear actuator) Supports DMF and AF+MF Intern focus systeem Internal zoomFilter size: 77mm Performance, reliability, and mobility at its highest level.

Highlights:

Lens construction: 20 elements in 15 groups (6 FLD, 2 SLD, 3 aspherical elements)

OS (Optical Stabilizer) function with the latest “OS2” algorithm

Compatible with AF assist (Sony E-mount only)

Compatible with lens aberration correction

Compatible with high-speed autofocus

HLA (high response linear actuator)

Supports DMF and AF+MF

Intern focus systeem

Internal zoomFilter size:   77mm

 

Performance, reliability,
and mobility at its highest level.

Packed with all the technology SIGMA has to offer
70-200mm F2.8, worthy of the flagship

The large F2.8 aperture provides stable and high descriptive performance at all zoom and focus ranges. The high-speed AF with a dual HLA (High-response Linear Actuator) based on a floating focus structure, and the Optical Stabilizer function with the OS2 algorithm with up to 7.5 stops of correction effect*, ensure that users can take the right shot when there is no room for error. The highly mobile lens with high durability, rigidity, and texture is equipped with a wealth of functions to assist comfortable shooting, including an inner zoom mechanism for easy handling, as well as an aperture ring and switches with various customization functions. The flagship SIGMA 70-200mm F2.8 DG DN OS | Sports, combined with the best of SIGMA’s latest technologies to meet the high-level demands of professionals, has finally arrived.

 

High-speed AF and optical stabilizer function that maximize superior optical performance

The SIGMA 70-200mm F2.8 DG DN OS | Sports, developed with professional use in mind, offers not only high optical performance, but also high-speed AF with a dual HLA (High-response Linear Actuator) and an optical stabilizer function with up to 7.5 stops. The Sports line lenses offer high optical performance, and all functions are based on state-of-the-art technology.

 

The latest optical design, which employs luxurious glass materials including 6 FLD and 2 SLD elements of special low-dispersion glass, delivers high resolving power throughout the entire zoom range. Three aspherical lenses are used, as they are now indispensable for superior optical performance and streamlined lens construction. The exceptionally high precision of the aspherical lenses, which take advantage of the technical capabilities of SIGMA’s only production facility, the Aizu factory, further improves optical performance. The incorporated floating focus is advantageous in improving short-range performance, ensuring a stable, high-level image quality throughout the entire range from the minimum focusing distance to infinity.

 

The SIGMA 70-200mm F2.8 DG DN OS | Sports with floating focus has a structure in which the two focus groups move in opposite directions, thereby reducing the amount of focus lens movement by about half. In addition, the use of an HLA (High-response Linear Actuator) motor in each of the two focus groups enables high-speed autofocusing. In addition to being fast and accurate, the lens also employs a control program that is designed to be quiet, so users can shoot movies comfortably without worrying about noise.

 

The latest OS2 optical stabilization algorithm provides an extremely high image stabilization effect of 7.5 stops at the wide end and 5.5 stops at the telephoto end*. The lens is equipped with two OS modes: Mode 1 is suitable for general shooting, and Mode 2 is ideal for panning shots of motorsports and other sports. In Mode 2, SIGMA’s Intelligent OS, an algorithm specially designed for panning shots, enables effective image stabilization even when the camera is moved vertically or diagonally, irrespective of the horizontal and vertical orientation. This ensures that the subject’s movement can be captured without losing the panning shot effect.

 

The lens has been designed to suppress focus breathing. The change in angle of view due to focus shift is minimized, creating a natural-looking focus shift when recording video.

 

Flare and ghosting, which reduce image quality, are addressed under all conditions of incident light based on the most advanced simulation technology. High backlight resistance enables clear and sharp images under any lighting conditions.

 

Top-level build quality condensed into a highly mobile lens

 

SIGMA is committed to excellent build quality in all its lenses. Among them, the SIGMA 70-200mm F2.8 DG DN OS | Sports, which is part of the Sports line, offers not only high weather resistance performance for shooting in harsh environments, but also improved quality and durability through the use of cutting-edge materials in appropriate places based on a streamlined optical and mechanical design. At the same time, a high level of mobility is also realized, resulting in a professional equipment that can be used with confidence over the long term.

 

The latest optical and mechanical design streamlines the lens configuration and internal structure, resulting in a significantly smaller and lighter body than the previous SIGMA 70-200mm F2.8 DG OS HSM | Sports model. The body, including the hood, features a “multi-material structure” that optimally arranges materials such as magnesium, CFRP*1, and TSC*2. Even with enhanced mobility, the lens features SIGMA’s renowned excellent build quality, including high durability, reliable rigidity, and various control rings and switches that have been carefully designed to feel good.

 

Adoption of inner zoom mechanism

The zoom mechanism employs an inner zoom. Since the total length of the lens does not change with zoom operation, it is easy to handle when shooting hand-held, highly stable when installed on a gimbal, and resistant to dust and water droplets.

 

Weatherability of Sports line specifications

 

The mount connection, manual focus ring, zoom ring, switches, switch panel and exterior connection are all dust and splash resistant* to prevent dust and dirt from entering the lens. Further, the front element of the lens features a water and oil repellent coating to facilitate maintenance when water droplets or dust adhere to the lens.

 

A wealth of functions to assist professional photographers

In addition to an aperture ring, a magnesium tripod mount, and various switches, the highly mobile lens has a wealth of functions available, enabling a more comfortable and versatile shooting experience for users.

 

Equipped with an aperture ring

 

This is the first SIGMA zoom lens for still photography to be equipped with an aperture ring. It is also equipped with an aperture ring click switch and an aperture ring lock switch, allowing for aperture operation suited to the shooting application.

 

Newly developed tripod socket

The lens body incorporates an Arca-Swiss compatible magnesium alloy tripod socket. The detachable leg is newly designed for the SIGMA 70-200mm F2.8 DG DN OS | Sports in order to achieve a compact and lightweight design.

 

Equipped with a Focus Limiter switch, the lens enables users to limit the focus driving range during AF when necessary, allowing quick and precise focusing.

Further, the lens features three AFL buttons ready to be assigned to preferred functions using the camera. The AFL buttons are easy to operate regardless of how the camera is oriented or which settings are used.

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SKU: 19567604692

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4.5 ★★★★★
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Kurt
Draper, US
★★★★★ 5
Great Sequel to Long Halloween
Format: Paperback
This takes all of the great elements of the Long Halloween and keeps it going. The two of those books together is a great story telling. Ticks all the boxes of a great Batman book. If you like this and Long Halloween check out The Penguin show on HBO Max. and if you like The Penguin but haven't read these two books you should since the show pulls a lot of influence from them.
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Reviewed in the United States on November 22, 2024
K
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kindlemom1 (My Guilty Obsession Blog)
Grantham, US
★★★★★ 5
Worth the price!
Format: Paperback
Great set!
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Reviewed in the United States on November 8, 2025
J
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John Hall
Alexandria, US
★★★★★ 5
The Robin Origin Tale We Needed
Format: Paperback
Hot off The Long Halloween Jeph Loeb and Tim Sale return for another murder mystery. This is a direct sequel and follows the aftermath of The Long Halloween. The art is stellar and the story is deep and dark. The trinity of Batman, Dent and Gordon is gone and the isolation is real. At the heart of it, life goes on. Sofia Falcone is back and ready to get revenge. Meanwhile, Dick Grayson's about to go through the darkest chapter of his life. There's a surprise villain who makes a chilling introduction and much more. If you wanted more after Batman: Year One and The Long Halloween, this is the book for you.
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Reviewed in the United States on May 22, 2025
T
Verified Purchase
The Blue Thunder Bomb
Draper, US
★★★★★ 5
The Best BATMAN Tale since YEAR ONE.
When I first started reading Scott Snyder's run on DETECTIVE COMICS, I was unfamiliar with his work. It seemed like they had just grabbed a new name after arcs done by distinguished writers such as Grant Morrison (which I actually thought was terrible during his RIP arc), Greg Rucka (who did a brilliant job with bringing the character of Batwoman into the fold), and Paul Dini (whose work ranged from not great to just about perfect). Snyder just seemed like a Johnny-Come-Lately, and the previous arc on DETECTIVE had been particularly disappointing, but alas I had faith that another solid arc was due for the Darkknight Detective, so I kept collecting. Nothing could have made me happier, since Snyder and his partners in crime, artists Jock and Francesco Francavilla had crafted the most solid, unified and smartest Batman tale since Frank Miller and David Mazzucchelli's eponymous BATMAN: YEAR ONE. Not to get too bogged down in plot detail, but essentially, the "Black Mirror" arc begins with Dick Grayson as The Batman (since Bruce Wayne was too busy fighting his way through time... argh...) and he's closing in on a secret auction where 'collectibles' of Gotham's most notorious villains are being sold to an elite crowd of wealthy degenerates, such as Scarecrow's fear gas and the crowbar actually used to beat Jason Todd almost to death. The main villain of the piece is hardly Batman's most powerful enemy, but it does leave some psychic scars on Dick. Next Dick is forced to deal with a dead woman found in an office building. Hardly worth Batman's specific attention, but what is is that the woman's body was found inside a dead killer whale's mouth in an office building. Making matters more complicated is that the woman this murder is sending a message to is actually the daughter of Tony Zucco, the gangster responsible for the death of Dick's parents. While these stories are exciting, well-crafted and beautifully rendered by Jock, we enter a much more personal tale of Commissioner Gordon: the return of his son James Jr., who we haven't seen much of at all in his life. Apparently, James Jr. is a psychotic who is taking a new anti-psychotic medication and hopes to return back to society in some way. This becomes a very personal tale for the Gordon family, including Gordon's ex-wife Barbara and of course his daughter Barbara, formerly Batgirl and now the wheelchair-confined information gatherer Oracle. These interludes are illustrated by the brilliant Francavilla, whose every page looks like it's suitable for framing. Unfortunately for everyone involved, Jr. is not exactly what he seems to be and this leads to a small-scale but highly emotionally charged finale. Scott Snyder did several things in this book that very few before him were able to do successfully. First and foremost, he captured the essence of Dick Grayson bearing the responsibility of being Batman. It's not something he shirks from, but he does feel out of place living in Bruce's penthouse and basically taking the mantle of Batman is no small matter. He is more emotional than Bruce and has more issues with his own fears. Second is that he's one of the few writers to really get the essence of Batman being a detective. While Dick is not as brilliant as Bruce, he was trained by the best, and Batman is not just a machine of brute force dispensing justice with his fists and cool gadgets; he's also considered the world's greatest detective and it's always exciting to see an author with a good handle on that aspect of Batman. Third is Snyder's awareness of Gotham not just being a city, but as being an integral character in the adventures of Batman. There's a darkness to the city that the good people strive to rise above, which is why the partnership of Batman and Jim Gordon has been the lifeline of Gotham's survival. Also on wonderful display here is Snyder's understanding of the supporting cast. He gives all of them equal and necessary life in the story, and has a superb handle on their individual characters. In the few years since Snyder started in this business, first gaining prominence on AMERICAN VAMPIRE (which is another breath of fresh air to a dying genre) and then his work on DETECTIVE gaining him even greater accolades, he has become possibly the best writer currently at DC. Several people, including myself have heralded him as the next Alan Moore. He has an understanding of character, dialogue and structure that is unusual and continually striking. He's been the standout star of DC's "New 52", continuing his work on Batman with as well as bringing back one of DC's greatest horror titles, . He has also continued to establish himself as one of comic's premier horror writers by doing the best horror comic in years over at Image Comics called (you can find my review of that book via that link), as well as doing a mini-event that explores the beginnings of Gotham City in . THE BLACK MIRROR is a Batman classic that people will still be discussing in years to come, as well as his other work in the field. I couldn't suggest more highly picking up any of his books. It doesn't get much better.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on May 12, 2012
J
Verified Purchase
JR. Forasteros
Houston, US
★★★★★ 5
Dark, Brooding and 100% Batman
This review is super-spoilery. If you haven't read The Black Mirror yet, do yourself a favor and go grab a copy ASAP. You won't regret it. No matter who we are, we can't escape our past. Where we've come from and who we've been leave indelible marks on us. Nowhere is this more true than Gotham City, and in Batman: The Black Mirror, Scott Snyder gives us a glimpse into the Darkness that lies at the core of the city. If you're not a regular Batman reader, you may not know that everyone in the DC Comics universe thought Bruce Wayne was dead for a while. While he was gone, Dick Grayson - the original Robin - took up the mantle of the Batman. After Bruce Wayne's return, he kept Dick as the new Gotham City Batman.* Black Mirror is actually a story featuring Dick Grayson - not Bruce Wayne - as the Batman. Snyder's story is one of the best Batman stories I've ever read. It's a dark, brooding and good, old-fashioned detective story. And it actually works better with Dick instead of Bruce under the cowl. That's a writing feat nothing short of miraculous. Snyder's Gotham is a monstrous city that seeks to poison everyone in it. It turned both Bruce Wayne and Dick Grayson into masked vigilantes. Dick was the child of circus acrobats who were murdered in Gotham. He was taken in by Bruce Wayne, who lost his own parents to Gotham criminals and trained Dick to become Robin. Eventually Dick outgrew the Robin persona and became Nightwing, working in a city near Gotham. Joining Dick in the spotlight of Black Mirror is Commissioner James "Jim" Gordon, who's no less a victim of Gotham's darkness than Dick. He and his first wife Barbara have a son named James, Jr., who left with Barbara when she and Jim divorced. Jim also has a niece named Barbara who came to live with him after her parents died. Barbara dated Dick in high school, and she became the first Batgirl. In Alan Moore's epic The Killing Joke, the Joker shoots Barbara in the stomach, paralyzing her. In a wheelchair, she's now the Oracle. She serves as the information hub for Batman, Robin and their allies. The Black Mirror introduces us for the first time to the adult James, Jr., who has returned to Gotham searching for a second chance. We learn from his suspicious father that James, Jr. is a clinical psychopath: he doesn't feel typical human emotion (yes, just like Dexter). But he comes claiming to be on a new medication that stimulates the brain to produce the chemicals psychopaths lack. He reveals that he's volunteering at Dr. Leslie Thompkins' free clinic. Jim Gordon is suspicious, distrustful. But he can't stop himself from being hopeful, too. Is it possible that his son has found peace and even redemption? Snyder keeps us guessing about James, Jr.'s true nature through the whole book. We feel the tension Jim Gordon feels, torn as he is between Oracle's pessimism and Dick's optimism. Barbara is convinced that James, Jr. is a monster who can and will never change, while Dick is hopeful. And so with this tension established, Snyder asks us a most basic question: can we be anything other than what we have been? We meet Sonja Branch, the estranged daughter of the mobster who killed Dick's parents. A wealthy, successful executive, Dick wonders to Jim Gordon if she's as upstanding as she seems. Dick muses that "it's nice to know that maybe, once in a blue moon, the apple does fall far from the tree in Gotham." The expression on Jim Gordon's face as he echoes, "Once in a blue moon," reveals that he's still wondering about James, Jr. An old case has led Jim to reflect on his son to wonder yet again what made him the way he is. To wonder what he could've done differently. He concludes that Gotham is fundamentally sick. He wonders to Dick: Do you ever feel like... like the more good you do or try to do for people out there, for strangers, the more the ones close to you, the ones you love, get hurt? ...I don't mean in general. I mean here. In Gotham... I'm talking about the damn bedrock. There are times I feel a dark heart down there, Dick. A dark, malformed heart. Since Alan Moore's The Killing Joke, the Batman mythology has suggested that Gotham's villains arise as a response to the Batman's presence. The Joker of Frank Miller's The Dark Knight Returns is comatose, awaking only when news breaks that the Batman has returned to Gotham. And Heath Ledger's Joker in The Dark Knight laughs that Batman thinks Joker wants him dead - the Batman completes Ledger's Joker. But Snyder dares to step beyond this to suggest that it's Gotham, the city itself that creates both the heroes and the monsters. Gotham created the Batman just as it created the Joker. Gotham created Robin by murdering Dick's parents. And now that Dick is the Batman, we learn that Gotham has been creating a new nightmare just for him. Dick's opposite, his dark mirror, isn't the Joker. That surprise comes when we finally meet the newly-escaped Clown Prince of Crime after Batman tracks him down. The Joker knows instantly, chastising Batman: Do you even know what Gotham means, little bird? ...It means a safe place for goats! And do you know what preys on goats? Bats. The bat makes the goat sick. But every bat does this in its own way. And you, you're not my bat! So what sickness has arisen as a response to Dick's new Batman? By the time we reach Snyder's gut-wrenching, perfectly, agonizingly timed reveal, we realize it could have been no one else but James, Jr. James, Jr. is a pure, true psychopath. He's reversed his medications - instead of stimulating the brain to produce more of the drugs that give us emotions, James, Jr.'s drug suppresses them. His master plan - an eerie successor to the Joker's inaugural caper - is to drug a factory in Gotham that manufactures infant formula. James, Jr.'s goal is to create a generation of psychopaths, to remake Gotham's children in his own image. He calmly explains as much to Dick as he tortures his cousin, Barbara: Gotham is a city of nightmares... in the truest sense because what's a nightmare if it isn't a warning? A vision of yourself at your weakest... Batman - the real one - he shapes Gotham out of an obsession... but you new crop, you do it out of compassion. Out of empathy. Out of weakness... And out of all of them, Dick, you're the weakest. [Gotham] is a city of nightmares, and I'm yours. I'm the face you see in the glass. A man with no conscience. No empathy. Gotham made me to challenge you... I am Gotham's son. And the city made me so I could help usher in a new generation of children. Dick proves that his compassion is more a weapon than a weakness, thwarting James, Jr. (probably). But Black Mirror leaves us with an unsettled, uneasy sense that this fight is darker and longer than we thought. We start to wonder if the Batman's quest is actually winnable, in the end. But Dick Grayson never wonders. That's what separates him from the James, Jrs. of the world. That's what separates him even from Bruce. This is a different Batman. Full of optimism. Playful - he makes jokes and teases his teammates. Dick's Batman is at once totally different from Bruce's and at the same time wholly Batman. Most importantly, Dick is hopeful. And it's ultimately that hope that lifts us up over even a surprisingly ambiguous ending. Dick said it perfectly early in the book: I couldn't understand why Bruce... always chose to drive through the streets, moving on the ground... when he could've just soared above it all. But I get it now. Because even back then he understood that Gotham is a place you can never get above, a place you can never see clearly... I can't help it, though. I'm built differently. Because there's something about seeing Gotham from the sky that energizes me, gives me hope, if only for a moment before I come back down to earth. Dick hopes that Gotham can be better. It's a hope that transcends anything even Bruce has. And it's that hope that draws him and those around him - like Jim and Barbara to fight the good fight. Bottom Line: Whether you're a long-time fan of the Batman or only know The Dark Knight, Snyder's book is a must read. The characters are amazing. The plot is fantastic. The art is breathtaking. From start to finish, The Black Mirror is a sterling example of the literary power of comics you'll want to read over and over again. *Since DC Comics has rebooted their entire franchise, none of this is the case anymore. Bruce is back to being the Batman and Dick Grayson has returned to his role as Nightwing.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on December 13, 2011

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