SKU: 65572375318

The Carpenters - 40/40 2 Discs (Used) (Mint Condition) CD

Name: The Carpenters - 40/40 2 Discs (Used) (Mint Condition) CD
Brand: lesnenettesduvin.com
SKU: 65572375318
Price: 650.00 USD
Availability: InStock
Rating: 4.225 (878 reviews)

$585.00 $650.00

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The Carpenters - 40/40 2 Discs (Used) (Mint Condition) CD1 1 Yesterday Once More Backing Vocals Karen And Richard Carpenter* Bass Joe Osborn Drums Karen Carpenter Engineer Ray Gerhardt, Roger Young Guitar Tony Peluso Keyboards Richard Carpenter Lead Vocals Karen Carpenter Producer, Arranged By Richard Carpenter Written By John Bettis, Richard Carpenter Backing Vocals Karen And Richard Carpenter* Bass Joe Osborn Drums Karen Carpenter Engineer Ray Gerhardt, Roger Young Guitar Tony Peluso Keyboards Richard

1-1	Yesterday Once More Backing Vocals – Karen And Richard Carpenter* Bass – Joe Osborn Drums – Karen Carpenter Engineer – Ray Gerhardt, Roger Young Guitar – Tony Peluso Keyboards – Richard Carpenter Lead Vocals – Karen Carpenter Producer, Arranged By – Richard Carpenter Written-By – John Bettis, Richard Carpenter	3:58
1-2	Superstar Arranged By – Richard Carpenter Backing Vocals – Karen And Richard Carpenter* Bass – Joe Osborn Drums – Hal Blaine Engineer – Al Schmitt, Ray Gerhardt Keyboards – Richard Carpenter Lead Vocals – Karen Carpenter Oboe – Earle Dumler* Producer – Jack Daugherty Written-By – Bonnie Bramlett, Leon Russell	3:49
1-3	Rainy Days And Mondays Arranged By – Richard Carpenter Backing Vocals – Karen And Richard Carpenter* Bass – Joe Osborn Drums – Hal Blaine Engineer – Ray Gerhardt, Roger Young Harmonica – Tommy Morgan Keyboards – Richard Carpenter Lead Vocals – Karen Carpenter Producer – Jack Daugherty Tenor Saxophone – Bob Messenger Written-By – Paul Williams (2), Roger Nichols (2)	3:36
1-4	Top Of The World Arranged By – Richard Carpenter Backing Vocals – Karen And Richard Carpenter* Bass – Joe Osborn Drums – Hal Blaine Engineer – Ray Gerhardt Keyboards – Richard Carpenter Lead Vocals – Karen Carpenter Pedal Steel Guitar – Buddy Emmons Producer – Richard And Karen Carpenter*, Jack Daugherty Written-By – John Bettis, Richard Carpenter	2:59
1-5	Ticket To Ride Arranged By – Richard Carpenter Backing Vocals – Karen And Richard Carpenter* Bass – Joe Osborn Drums – Karen Carpenter Engineer – Ray Gerhardt French Horn – David Duke Guitar – Tony Peluso Keyboards – Richard Carpenter Lead Vocals – Karen Carpenter Producer – Jack Daugherty Written-By – John Lennon/Paul McCartney*	4:10
1-6	Love Is Surrender Arranged By – Richard Carpenter Bass – Joe Osborn Drums – Karen Carpenter Engineer – Dick Bogert, Ray Gerhardt, Roger Young Keyboards – Richard Carpenter Lead Vocals, Backing Vocals – Karen And Richard Carpenter* Producer – Jack Daugherty Written-By – Ralph Carmichael	1:59
1-7	Maybe It's You Arranged By – Richard Carpenter Backing Vocals – Karen And Richard Carpenter* Bass – Joe Osborn Drums – Hal Blaine Engineer – Ray Gerhardt, Roger Young Keyboards – Richard Carpenter Lead Vocals – Karen Carpenter Oboe – Earle Dumler* Producer – Jack Daugherty Written-By – John Bettis, Richard Carpenter	3:03
1-8	Reason To Believe Arranged By – Richard Carpenter Backing Vocals – Karen And Richard Carpenter* Bass – Joe Osborn Drums – Hal Blaine Engineer – Ray Gerhardt, Roger Young Guitar – Louie Shelton Keyboards – Richard Carpenter Lead Vocals – Karen Carpenter Producer – Jack Daugherty Written-By – Tim Hardin	3:05
1-9	Where Do I Go From Here? Arranged By – Peter Knight (5), Richard Carpenter Bass – Joe Osborn Drums – Ron Tutt Engineer – Ray Gerhardt, Robert De La Garza*, Roger Young Guitar – Tony Peluso Keyboards – Richard Carpenter Lead Vocals – Karen Carpenter Oboe – John Ellis (3) Producer – Richard Carpenter Written-By – Parker McGee	4:25
1-10	This Masquerade Backing Vocals – Richard And Karen Carpenter* Bass – Joe Osborn Drums – Karen Carpenter Engineer – Ray Gerhardt, Roger Young Flute – Bob Messenger Keyboards – Richard Carpenter Lead Vocals – Karen Carpenter Producer, Arranged By – Richard Carpenter Written-By – Leon Russell	4:53
1-11	It's Going To Take Some Time Arranged By – Richard Carpenter Backing Vocals – Karen And Richard Carpenter* Bass – Joe Osborn Drums – Hal Blaine Engineer – Ray Gerhardt, Robert De La Garza* Flute – Bob Messenger, Tim Weisberg Keyboards – Richard Carpenter Lead Vocals – Karen Carpenter Producer – Jack Daugherty Soloist [Flute] – Bob Messenger Written-By – Carole King, Toni Stern	2:59
1-12	One More Time Bass – Joe Osborn Engineer – Ray Gerhardt Lead Vocals – Karen Carpenter Oboe – Earle Dumler* Piano – Richard Carpenter Producer, Arranged By – Richard Carpenter Written-By – Lewis Anderson	3:31
1-13	Those Good Old Dreams Backing Vocals – Karen And Richard Carpenter* Bass – Joe Osborn Drums – Ron Tutt Engineer – Roger Young Guitar – Tim May Keyboards – Richard Carpenter Lead Vocals – Karen Carpenter Pedal Steel Guitar – Jay Dee Maness Producer, Arranged By – Richard Carpenter Written-By – John Bettis, Richard Carpenter	4:13
1-14	For All We Know Arranged By – Richard Carpenter Backing Vocals – Karen And Richard Carpenter* Bass – Joe Osborn Drums – Hal Blaine Engineer – Ray Gerhardt, Roger Young Keyboards – Richard Carpenter Lead Vocals – Karen Carpenter Oboe – Earle Dumler* Producer – Jack Daugherty Written-By – Fred Karlin, James Griffin (4), Robb Royer	2:32
1-15	Crystal Lullaby Arranged By – Richard Carpenter Bass – Joe Osborn Drums – Hal Blaine Engineer – Roger Young Keyboards – Richard Carpenter Oboe, English Horn – Earle Dumler* Producer – Jack Daugherty Vocals – Karen And Richard Carpenter* Written-By – John Bettis, Richard Carpenter	3:56
1-16	I Believe You Arranged By – Paul Riser, Richard Carpenter Backing Vocals – Karen And Richard Carpenter* Bass – Joe Osborn Drums – Larrie Londin Engineer – Ray Gerhardt Guitar – Tim May Keyboards – Richard Carpenter Lead Vocals – Karen Carpenter Producer – Richard Carpenter Written-By – Dick Addrisi/Don Addrisi*	3:55
1-17	(They Long To Be) Close To You Arranged By – Richard Carpenter Backing Vocals – Richard And Karen Carpenter* Bass – Joe Osborn Drums – Hal Blaine Engineer – Dick Bogert, Ray Gerhardt, Roger Young Keyboards – Richard Carpenter Lead Vocals – Karen Carpenter Producer – Jack Daugherty Trumpet – Chuck Findley Written-By – Burt Bacharach/Hal David*	3:42
1-18	Bless The Beasts And Children Arranged By – Richard Carpenter Backing Vocals – Richard And Karen Carpenter* Bass – Joe Osborn Drums – Hal Blaine Engineer – Ray Gerhardt, Roger Young Keyboards – Richard Carpenter Lead Vocals – Karen Carpenter Producer – Jack Daugherty Written-By – Barry DeVorzon, Perry L. Botkin Jr.	3:15
1-19	All You Get From Love Is A Love Song Backing Vocals – Carolene Williams, Julia Tillman, Karen Carpenter, Maxine Willard Bass – Joe Osborn Drums – Ed Green Engineer – Ray Gerhardt, Roger Young Guitar – Ray Parker Jr., Tony Peluso Keyboards – Richard Carpenter Lead Vocals – Karen Carpenter Producer – Richard Carpenter Tenor Saxophone – Tom Scott Written-By – Steve Eaton	3:46
1-20	Calling Occupants Of Interplanetary Craft (The Recognized Anthem Of World Contact Day) Arranged By – Peter Knight (5), Richard Carpenter Backing Vocals – The Gregg Smith Singers* Bass – Joe Osborn Drums – Ron Tutt Engineer – Ray Gerhardt, Robert De La Garza, Roger Young Guitar [And DJ] – Tony Peluso Keyboards – Richard Carpenter Lead Vocals – Karen And Richard Carpenter Oboe – Earle Dumler* Producer – Richard Carpenter Written-By – John Woloschuk, Terry Draper Arranged By – Peter Knight (5), Richard Carpenter Backing Vocals – The Gregg Smith Singers* Bass – Joe Osborn Drums – Ron Tutt Engineer – Ray Gerhardt, Robert De La Garza, Roger Young Guitar [And DJ] – Tony Peluso Keyboards – Richard Carpenter Lead Vocals – Karen And Richard Carpenter Oboe – Earle Dumler* Producer – Richard Carpenter Written-By – John Woloschuk, Terry Draper	7:09
2-1	I Need To Be In Love Backing Vocals – The O.K. Chorale Bass – Joe Osborn Drums – Jim Gordon Engineer – Ray Gerhardt, Roger Young Flute – David Shostac Guitar – Tony Peluso Keyboards – Richard Carpenter Lead Vocals – Karen Carpenter Oboe – Earle Dumler* Producer, Arranged By – Richard Carpenter Written-By – Albert Hammond, John Bettis, Richard Carpenter	3:49
2-2	Now Backing Vocals – The O.K. Chorale Bass – Joe Osborn Drums – Ron Tutt Engineer – Roger Young Flute – Sheridan Stokes* Keyboards – Richard Carpenter Lead Vocals – Karen Carpenter Oboe, English Horn – Earle Dumler* Producer, Arranged By – Richard Carpenter Tenor Saxophone – John Phillips (6) Written-By – Dean Pitchford, Roger Nichols (2)	3:51
2-3	Solitaire Backing Vocals – Richard And Karen Carpenter* Bass – Joe Osborn Drums – Jim Gordon Engineer – Roger Young Guitar – Tony Peluso Keyboards – Richard Carpenter Lead Vocals – Karen Carpenter Oboe – Earle Dumler* Producer, Arranged By – Richard Carpenter Written-By – Neil Sedaka/Philip Cody*	4:41
2-4	Please Mr. Postman Backing Vocals – Richard And Karen Carpenter* Bass – Joe Osborn Drums – Karen Carpenter Engineer – Ray Gerhardt, Roger Young Guitar – Tony Peluso Keyboards – Richard Carpenter Lead Vocals – Karen Carpenter Producer, Arranged By – Richard Carpenter Tenor Saxophone – Bob Messenger Written-By – Brian Holland, Freddie Gorman, Georgia Dubbins, Robert Bateman, William Garrett Backing Vocals – Richard And Karen Carpenter Bass – Joe Osborn Drums – Karen Carpenter Engineer – Ray Gerhardt, Roger Young Guitar – Tony Peluso Keyboards – Richard Carpenter Lead Vocals – Karen Carpenter Producer, Arranged By – Richard Carpenter Tenor Saxophone – Bob Messenger Written-By – Brian Holland, Freddie Gorman, Georgia Dubbins*, Robert Bateman, William Garrett	2:48
2-5	Hurting Each Other Arranged By – Richard Carpenter Backing Vocals – Richard And Karen Carpenter* Bass – Joe Osborn Drums – Hal Blaine Engineer – Ray Gerhardt, Roger Young Keyboards – Richard Carpenter Lead Vocals – Karen Carpenter Percussion – Gary Coleman Producer – Jack Daugherty Written-By – Gary Geld, Peter Udell	2:47
2-6	I Won't Last A Day Without You Arranged By – Richard Carpenter Backing Vocals – Richard And Karen Carpenter* Bass – Joe Osborn Drums – Hal Blaine Engineer – Ray Gerhardt, Roger Young Guitar – Tony Peluso Keyboards – Richard Carpenter Lead Vocals – Karen Carpenter Producer – Jack Daugherty Written-By – Paul Williams (2), Roger Nichols (2)	3:55
2-7	Sweet Sweet Smile Backing Vocals – Richard And Karen Carpenter* Banjo – Larry McNeely Bass – Joe Osborn Drums – Ron Tutt Engineer – Ray Gerhardt, Roger Young Fiddle – Bobby Bruce Guitar – Tony Peluso Lead Vocals – Karen Carpenter Piano [Tack] – Tom Hensley Producer, Arranged By – Richard Carpenter Written-By – Juice Newton, Otha Young	3:02
2-8	A Song For You Arranged By – Richard Carpenter Backing Vocals – Richard And Karen Carpenter* Bass – Joe Osborn Drums – Hal Blaine Engineer – Ray Gerhardt, Roger Young Keyboards – Richard Carpenter Lead Vocals – Karen Carpenter Producer – Jack Daugherty Tenor Saxophone – Bob Messenger Written-By – Leon Russell	4:38
2-9	Ordinary Fool Bass – Chuck Del'Monico* Drums – Ron Tutt Engineer – Ray Gerhardt, Roger Young Keyboards – Richard Carpenter Lead Vocals – Karen Carpenter Producer, Arranged By – Richard Carpenter Tenor Saxophone – John Phillips (6) Written-By – Paul Williams (2)	3:43
2-10	When You'Ve Got What It Takes Acoustic Guitar – Tim May Backing Vocals – Richard And Karen Carpenter* Bass – Joe Osborn Drums – John Robinson (2) Electric Guitar – Tony Peluso Engineer – Roger Young Keyboards – Richard Carpenter Lead Vocals – Karen Carpenter Oboe – Earle Dumler* Producer, Arranged By – Richard Carpenter Written-By – William M. Lane*, Roger Nichols (2)	3:41
2-11	Goodbye To Love Arranged By – Richard Carpenter Backing Vocals – Richard And Karen Carpenter* Bass – Joe Osborn Drums – Hal Blaine Engineer – Ray Gerhardt, Roger Young Guitar – Tony Peluso Keyboards – Richard Carpenter Lead Vocals – Karen Carpenter Producer – Jack Daugherty Written-By – John Bettis, Richard Carpenter	3:56
2-12	Your Baby Doesn't Love You Anymore Backing Vocals – Richard Carpenter Bass – Joe Osborn Drums – Ron Tutt Engineer – Roger Young Guitar – Tony Peluso Keyboards – Richard Carpenter Lead Vocals – Karen Carpenter Oboe – Earle Dumler* Percussion – Peter Limonick Producer, Arranged By – Richard Carpenter Trumpet – Chuck Findley Written-By – Larry Weiss	3:51
2-13	Sing Backing Vocals – Richard And Karen Carpenter, The Jimmy Joyce Children's Choir Bass – Joe Osborn Drums – Karen Carpenter Engineer – Ray Gerhardt, Roger Young Keyboards – Richard Carpenter Lead Vocals – Karen Carpenter Producer, Arranged By – Richard Carpenter Recorder – Tom Scott Written-By – Joe Raposo	3:18
2-14	Baby It's You Arranged By – Richard Carpenter Backing Vocals – Richard And Karen Carpenter* Bass – Joe Osborn Drums – Hal Blaine Engineer – Ray Gerhardt, Roger Young Guitar – Louie Shelton Keyboards – Richard Carpenter Lead Vocals – Karen Carpenter Producer – Jack Daugherty Tenor Saxophone – Bob Messenger Written-By – Barney Williams (2), Burt Bacharach, Mack David Arranged By – Richard Carpenter Backing Vocals – Richard And Karen Carpenter* Bass – Joe Osborn Drums – Hal Blaine Engineer – Ray Gerhardt, Roger Young Guitar – Louie Shelton Keyboards – Richard Carpenter Lead Vocals – Karen Carpenter Producer – Jack Daugherty Tenor Saxophone – Bob Messenger Written-By – Barney Williams (2), Burt Bacharach, Mack David	2:52
2-15	Let Me Be The One Arranged By – Richard Carpenter Backing Vocals – Richard And Karen Carpenter* Bass – Joe Osborn Drums – Hal Blaine Engineer – Ray Gerhardt, Roger Young Keyboards – Richard Carpenter Lead Vocals – Karen Carpenter Producer – Jack Daugherty Written-By – Paul Williams (2), Roger Nichols (2)	2:49
2-16	Only Yesterday Backing Vocals – Richard And Karen Carpenter* Bass – Joe Osborn Drums – Jim Gordon Engineer – Roger Young Guitar – Tony Peluso Keyboards – Richard Carpenter Lead Vocals – Karen Carpenter Oboe – Earle Dumler* Producer, Arranged By – Richard Carpenter Tenor Saxophone – Bob Messenger Written-By – John Bettis, Richard Carpenter	3:47
2-17	Jambalaya (On The Bayou) Backing Vocals – Richard And Karen Carpenter* Bass – Joe Osborn Drums – Hal Blaine Engineer – Ray Gerhardt, Roger Young Flute – Bob Messenger Guitar – Tony Peluso Keyboards – Richard Carpenter Lead Vocals – Karen Carpenter Pedal Steel Guitar – Buddy Emmons Producer, Arranged By – Richard Carpenter Written-By – Hank Williams	3:39
2-18	Touch Me When We're Dancing Backing Vocals – Carolyn Dennis, Richard And Karen Carpenter* Bass – Joe Osborn Drums – Larrie Londin Engineer – Roger Young Guitar – Tim May, Tony Peluso Keyboards – Richard Carpenter Lead Vocals – Karen Carpenter Producer, Arranged By – Richard Carpenter Tenor Saxophone – Tom Scott Written-By – J.L. Wallace, Ken Bell (2), Terry Skinner	3:21
2-19	We've Only Just Begun Arranged By – Richard Carpenter Backing Vocals – Richard And Karen Carpenter* Bass – Joe Osborn Clarinet – Doug Strawn Drums – Hal Blaine Engineer – Ray Gerhardt, Roger Young Keyboards – Richard Carpenter Lead Vocals – Karen Carpenter Producer – Jack Daugherty Written-By – Paul Williams (2), Roger Nichols (2)	3:05
2-20	When It's Gone (It's Just Gone) Acoustic Guitar – Dennis Budimir, Fred Tackett Backing Vocals – Karen And Richard Carpenter* Bass – Joe Osborn Drums – Karen Carpenter, Larrie Londin Electric Guitar – Tim May, Tony Peluso Engineer – Roger Young Keyboards – Richard Carpenter Lead Vocals – Karen Carpenter Pedal Steel Guitar – Jay Dee Maness Producer, Arranged By – Richard Carpenter Written-By – Randy Handley Acoustic Guitar – Dennis Budimir, Fred Tackett Backing Vocals – Karen And Richard Carpenter* Bass – Joe Osborn Drums – Karen Carpenter, Larrie Londin Electric Guitar – Tim May, Tony Peluso Engineer – Roger Young Keyboards – Richard Carpenter Lead Vocals – Karen Carpenter Pedal Steel Guitar – Jay Dee Maness Producer, Arranged By – Richard Carpenter Written-By – Randy Handley	5:01

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Product Reviews

Verified Purchase

Ryan

Alexandria, US

★★★★★ 4

It's a good product but not quite a grand slam..

Color: Black, Style: Wireless, Pattern Name: Mouse

I've tried 15+ different mice in the last few years. It would be a bigger number if I wanted to collect them, but I mainly just try to buy the best small to medium-ish ultralight mice in search of my endgame. Won't buy a mouse without seeing reviews first anymore. However, I did main the old wired G502 for a long time before I became a snob. I still like the G502 shape, scroll wheel, and button layout very much despite the fact that it's not going to help me get high scores in aim trainers. The disadvantages caused by the weight and shape are somewhat, but not totally, made up for by the added functionality of the extra buttons, which are also fantastic for productivity. This is an overall solid product with only a few minor flaws that kept me from giving it a perfect score. The good: 1. Weight is noticeably reduced compared to the wired version. 2. The button layout every G502 fan fawns over is now on a wireless mouse. And it's genuinely a great button layout. 3. It's wireless, obviously. 4. Top-tier sensor. 5. Excellent battery life. 6. Infinite scroll wheel go brrrrr The bad: 1. Standard black teflon mouse feet. Not the worst I've seen, but Logitech does have a reputation for putting sh*tty feet on great mice. They at least improved this on the Superlight, but even those were still too thin. These aren't bad, but they could be better. 2. Click feel is substantially worse compared to the old G502. Switches are clearly not the same. Honestly would've been tempted to give this mouse 5 stars if it weren't for the clicks. They aren't heavy and ultra tactile like they were before. They're light and standard-feeling now, which isn't a deal-breaker by any stretch, but it's disappointing. 3. Price. You have to get this thing for less than $100 or it simply isn't worth it. It's a step up from the wired G502 but not to the point of it being worth 3 times as much. Even at a $95 sale price, that's still pushing it. Summary: you're sacrificing click feel and money to improve weight, obtain a nicer scroll wheel, and rid yourself of the atrocity that is the original G502 cable. You're also getting great battery life and excellent, low-latency wireless tech. It's a good mouse, but it's hard to say it's worth triple the amount of its predecessor, especially if you can replace mouse cables. Do not pay more than $100 for this mouse.

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Reviewed in the United States on July 13, 2021

Verified Purchase

JD.BuildsPC's

Natrona Heights, US

★★★★★ 5

The best mouse is the best mouse

Color: Black, Style: Wireless, Pattern Name: Mouse

I've used the wired in the past and it was my favorite mouse and after using an ASUS wireless mouse for the last 2 years I decided to go back to the Logi G502 only the wireless version this time. Connectivity is great. Disappointed that it doesn't use USB-C to charge the mouse itself, but whatever. This thing is so great and more comfortable than the last mouse I was using. That's a win All I'm saying is it's great to have this mouse again because it's hard to argue that this is the best mouse for gaming. I can't comment on battery life as I just received it but from the rest of the reviews, its has great battery life. But upon immediate use, I just can't recommend this mouse enough!!!

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Reviewed in the United States on March 22, 2026

Verified Purchase

Noah Meeks

Lake Worth, US

★★★★★ 5

Simply a good mouse.

Color: Black, Style: Wireless, Pattern Name: Mouse

Simply a great mouse, Love the layout of the buttons, it feels very natural is use.

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Reviewed in the United States on June 1, 2026

Verified Purchase

RocketMan1969

Battle Creek, US

★★★★★ 5

A Truly Ergonomic Mouse

Number of Items: 1

Other not completely flat mice claim to be "ergonomic", but the only way to completely remove stress from your forearm when using a mouse is with a "vertical" mouse. My 2020 K75575WW Kensington ergonomic vertical mouse developed a problem with the left button "stuttering" so that it sent multiple button clicks when pressed just once. I liked the Kensington quite a bit. But it always just a little bit on the "not quite as solid as I would like" side, and failing after just 2.5 years confirmed this. So I wanted a more solidly build mouse. A search for "ergonomic mouse review" showed that the Logitech MX Master 3S was clearly the best ergonomic mouse available. At $100 it was several times more expensive as others including the latest Kensington vertical mouse. But sometimes furgal doesn't mean the least expensive. Sometimes it can mean the most expensive if that comes with better performance, features and lifespan. So I ordered it. And while it is indeed an incredible mouse, the angle is only about 20 degrees. The result is that while there is some reduction in forearm stress compared to a flat mouse, it wasn't enough for me. By the end of my very long days driving my mouse almost as much as I drive my keyboard, I could feel the tension building up in my forearm. So after a week I returned it and bought this Logitech MX Vertical. It is slightly less expensive than the MX Master 3S, but still much more expensive relative to other options. And while it is lighter and a little less substantial feeling in my hand than the MX Master 3S, it still feels very firm and solid. Most importantly keeps my hand in the neutral position with my fingers at about 70 degrees. A great feature of the MX Vertical shares with the MX Master 3S is the thumb rest. The Kensington didn't have this and so my thumb rested on the desktop. If it was a bit warm and my hands would sweat my thumb wouldn't slide smoothly and I would have to lift my thumb off the desk when I went to move the mouse. Not a horrible thing, but if you spend 8+ hours mousing around it gets tiresome. The button clicks are crisp. Best of all when the button bottoms out it feels like it is pressing against the case. It doesn't feel like travel is being limited by the switch itself bottoming out like the Kensington felt like it did. My hope is that this will keep the switch from wearing out so fast as happened with the Kensington. One slight negative of the MX Vertical is that I don't feel like I am quite as accurate in being able to move the cursor to a specific spot on the screen without some amount of conscious effort. Instead it doesn't go exactly in the direction I intended and overshoots where wanted it to stop. As such it might not make the best mouse for video games. [UPDATE: There is a bit of a learning curve in moving the mouse accurately. In the last couple weeks my need to make a more conscious effort to move the mouse to a specific spot on the screen is going down. Still think it is likely to not be as accurate as a flater mouse]

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Reviewed in the United States on February 13, 2023

Verified Purchase

svpike

Omaha, US

★★★★★ 5

Ergonomic, Comfortable, and Highly Functional Mouse

Number of Items: 1

The Logitech MX Vertical Wireless Mouse is an outstanding ergonomic mouse that truly reduces wrist and forearm strain. Its vertical design feels natural and comfortable, even during long hours of use, making it a great choice for anyone concerned about repetitive strain or discomfort. The mouse connects seamlessly via Bluetooth or the included USB receiver, and the ability to switch between three different devices is incredibly convenient for multitasking. The precision and smooth tracking make it excellent for both work and creative tasks. Overall, this mouse combines comfort, functionality, and versatility in one sleek package. It’s well worth the investment for anyone looking to improve ergonomics and productivity.

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Reviewed in the United States on December 29, 2025