SKU: 68539790882

Innocenti ISOLAICONWH Island Chandelier Isola Cooker Hood 35cm White

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Description

Innocenti ISOLAICONWH Island Chandelier Isola Cooker Hood 35cm WhiteThis Apelson ISOLAICONWH Chandelier Island Hood is brand new and boxed It is a clearance product and is available only while stocks last. Includes a full 12 Month Parts and Labour Warranty. Features Length 35 cm Width 35 cm Weight 11. 6 kg Power 192 W Noise level 72 db Elegant Design, Everyday Performance Add a modern statement to your kitchen with the Innocenti ART28108 White Isola Icon chandelier style cooker hood. With a crisp white finish, stylish

This Apelson ISOLAICONWH Chandelier Island Hood is brand new and boxed

It is a clearance product and is available only while stocks last.

Includes a full 12 Month Parts and Labour Warranty.

Features

  • Length 35 cm
  • Width 35 cm
  • Weight 11.6 kg
  • Power 192 W
  • Noise level 72 db 

Elegant Design, Everyday Performance

Add a modern statement to your kitchen with the Innocenti ART28108 White Isola Icon chandelier-style cooker hood. With a crisp white finish, stylish cylindrical design, and powerful extraction, this hood is ideal for kitchens that demand both standout aesthetics and reliable performance.

Striking White Finish

The clean white exterior offers a fresh, contemporary look that pairs beautifully with a range of kitchen styles—from minimalist modern to Scandi-inspired spaces. Its sleek shape creates an elegant focal point above an island or hob, making it a practical yet eye-catching addition.

Strong 557 m³/hr Extraction

Despite its stylish design, this hood doesn’t compromise on power. With an extraction rate of 557 m³/hr, it effectively removes steam, smoke, and cooking odours to keep your kitchen feeling fresh and comfortable.

Three Fan Speeds for Versatile Ventilation

Choose from three fan speeds to match the demands of your cooking. Whether you’re simmering, searing, or frying, you can easily adjust the extraction level to suit the task at hand.

Push Button Controls

Simple and intuitive push button controls make operating the hood quick and easy. Switch fan speeds or turn the lighting on and off with just a press—perfect for everyday use.

Bright and Efficient ECO LED Lighting

Fitted with two ECO LED lights, this hood provides bright, focused lighting over your cooking area while using minimal energy. It improves visibility while also adding soft ambient lighting to your kitchen space.

Recirculation-Only Design

Ideal for kitchens without external ducting, this model is designed for recirculating use only. Air is drawn through internal filters (sold separately), cleaned of odours and grease, and then released back into the room—keeping installation simple and flexible.

Energy Class 'B' Efficiency

With a Class 'B' energy rating, this hood balances strong performance with energy-conscious operation, helping to reduce running costs over time.

Peace of Mind with Extended Guarantee

Built with durability in mind, this cooker hood comes with a 1-year parts and 1-year labour guarantee—providing long-term reassurance and value for your kitchen investment.

If you’re looking for a cooker hood that combines modern style with powerful performance, the Innocenti ART28108 offers an elegant solution that delivers on both looks and function.

Key Information

  • Colour: White
  • Product Dimensions: ?351.5mm x 600-1600mm
  • Width: 35cm
  • Guarantee: 1 Years Parts 1 Years Labour Guarantee
  • Venting Type : Recirculation Only
  • Product Weight: 11.6kg
  • Hood Style: Chandelier, Island

Hood Specifics

  • Lighting Type: LED
  • Number of Lights: 2
  • Control Type: Push Button
  • Number of Speeds : 3
  • Energy Rating: B
  • Maximum Extraction Rate: 557.5 m³/hour
  • Lighting Efficiency Class : A
  • Grease Filtering Efficiency Class : C
  • Fan Efficiency Class : C
  • Maximum Decibel Rating: 72 dB

Installation

  • Power Requirements: Requires a Plug Attaching/Cable Connection to a Fused Spur
  • Cable Included: Yes
  • Plug Fitted: No
  • Fuse Rating: 3 Amp
  • Maximum Power Rating: 192 Watts
  • Minimum Height Above Hob (Gas): 750mm
  • Minimum Height Above Hob (Electric): 650mm
  • Carbon Filter Code: ATFILT1

 

37*DELUXE

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Exchange/Return Notes
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SKU: 68539790882

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A
A. Jimenez
Natrona Heights, US
★★★★★ 3
Well intentioned but ignorant
It's clear that this author is well intentioned. He betrays his own ignorance in trying to justify why his book only addreses certain native nations, however. The author indicates that the book did not address the native peoples of the Caribbean because they are extinct. To state that the Taino and Carib are extinct is at best extremely ignorant and at worst racist. The Taino and Carib are very much alive. To begin with, there is a reservation of Carib Indians on the island of Dominica. These native people have retained their language and culture. Further, there is a Taino Revival movement happening throughout the major Antilles especially in the Dominican Republic, Puerto Rico and Cuba. It has been scientifically proven via DNA analysis that these people are of partial and in some cases total native descent. The Taino language is being heard and taught again in the Caribbean and Taino culture has always been an integral part of the the customs and culture of the major Antilles. It is very unfortunate to know that even this author is ultimately just another white guy bent on ignoring " incovenient truths ".
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on September 25, 2012
T
Verified Purchase
Terry L.
San Leandro, US
★★★★★ 5
Recommend
Tells the other side of the story you didn't get in U.S. History class. Good read.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on May 15, 2015
G
Verified Purchase
George Vargas
Lake Worth, US
★★★★★ 5
Five Stars
Outstanding book on the general history of European barbarism.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on December 26, 2017
H
Verified Purchase
Howard
Phoenix, US
★★★★★ 5
By far, the best book of many I have read on this subject. Must read for anyone interested in this subject.
Format: Paperback
Best book I have yet read on the subject, and I have read many in research for the writing of my second novel. It relentlessly examines specific cases of lynching over time, but it is not a mere narrative of specific lynchings. It is an excellent analysis of the social, historical and cultural forces behind this horrendous practice. The book's discussion of the movie, Birth of a Nation, would by itself make this a valuable book, but the book's central theme is even more important. Its central theme, the public's desire for spectacle as fuel for lynchings, particularly after the abolition of legal public executions, is even more revealing. Also a good look at the social and cultural forces that over time led to the gradual demise of lynching as a phenomenon. A page turner for history readers. Warning -- man's inhumanity to man will make you simultaneously angry and sad.
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Reviewed in the United States on July 24, 2015
A
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AlanWarner
Fort Morgan, US
★★★★★ 5
WHITE MOB JUSTICE
Format: Paperback
More black men were hanged in America in the twentieth century than were hanged during slavery, the author of this book Miss Amy Louise Wood does an excellent job of revealing who and what group of Americans did this whole scale hanging of black men. Many white people who participated and witnessed these hangings were your everyday run of the mill American citizens as stated on page 80-81 "As visual extensions of the lynching itself, photographs could at times assuage crowds that had missed the opportunity to witness and participate in the violence. In 1934, the posse that captured Claude Neal, accused of raping and killing a young white woman named Lola Cannidy, chose to lynch him in the woods outside Marianna, Florida, rather than bringing him to the Cannidy home, where a large crowd had gathered in anticipation of the lynching. When the waiting crowd had discovered that the mob had lynched Neal privately, they were reportedly outraged. The mob finally arrived with Neal's body in tow, and the crowd, which included Cannidy's family, took out their vengeance on the corpse, kicking and shooting it, tearing it apart, and even driving their cars over it. Neal's mutilated, nude body was then hanged on the courthouse lawn in the center of the town, and hundreds of photographs were taken. he next day, as people congregated in the square to see the body, the photographs were sold to those purportedly still incensed that the posse who lynched Neal had denied them the satisfaction and pleasure of witnessing Neal's lynching. The images acted as visual replications of the actual spectacle, offering them vicarious access to the missed thrill of the lynching. The gratification local viewers derived from the images of Neal's lynched body was directly attached to their outrage over Cannidy's rape and murder, their fears of black criminality, and their desires to assert their racial power and superiority in the face of these threats." Another interesting aspect of these mobs is the role religion played in their actions as stated on pages 67 "The performance of a lynching thus created a symbolic representation of white supremacy-a spectacle of demonic and wicked black men against a united and pure white community. That those images coincided with evangelicals' impassioned exhortations against sin gave lynching sacred force and justification. Indeed, the imprint of Protestant language and tropes on lynching rituals and defenses imbued the violence with divine sanction and made it appear familiar and recognizable to a people immersed in Christian beliefs and values. Mobs could thus conspicuously flout the law and perpetrate what otherwise would be considered aberrant and grotesque acts of sadism while considering themselves to be righteous and moral citizens." In the twentieth century the hanging of black men was a major festive event for many on looking white people as can be seen in the pictures on page 32 and also on pages 78 and 79, on page 79 you can see a young white man smiling, on pages 95 and 102 there are more pictures of gleeful white spectators, on page 192 there is crowd participation in this picture of a hanging and burning black man I thank this author for writing this very much needed book.
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Reviewed in the United States on July 6, 2015

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