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Description
1970-1972 Ford Galaxie Performance Muffler Flowmaster Stainless SteelOverview: The three chamber design utilizes Flowmaster's Delta Flow technology along with an internal tuning chamber to reduce sound inside the vehicle. Provides the same performance and exterior tone characteristics as the two chamber, but with less interior resonance. Constructed of 16 gauge aluminized steel and fully MIG welded for maximum durability. Features: Deep Aggressive Sound Exhaust Note Noticeable interior resonance Excellent performance
Overview:
The three chamber design utilizes Flowmaster's Delta Flow® technology along with an internal tuning chamber to reduce sound inside the vehicle. Provides the same performance and exterior tone characteristics as the two chamber, but with less interior resonance. Constructed of 16 gauge aluminized steel and fully MIG welded for maximum durability.
Features:
Specs:
Applications:
- 1970-1972 Dodge Challenger 318 CID
- 1987-1989 Dodge Dakota 239 CID
- 1962-1974 Dodge Dart 318 CID
- 1963-1963 Dodge Dart 225 CID
- 1964-1967 Dodge Dart 273 CID
- 1967-1967 Dodge Dart 383 CID
- 1979-1983 Jeep CJ5 258 CID
- 1980-1983 Jeep CJ5 151 CID
- 1979-1986 Jeep CJ7 258 CID
- 1980-1983 Jeep CJ7 151 CID
- 1983-1986 Jeep CJ7 150 CID
- 1970-1974 Plymouth Barracuda 318 CID
- 1970-1973 Plymouth Barracuda 340 CID
- 1970-1972 Plymouth Barracuda 225 CID
- 1970-1971 Plymouth Barracuda 383 CID
- 1970-1971 Plymouth Barracuda 198 CID
- 1971-1974 Plymouth Barracuda 360 CID
- 1971-1972 Plymouth Barracuda 440 CID
- 1971-1971 Plymouth Barracuda 426 CID
- 1970-1970 Plymouth Duster 318 CID
- 1970-1970 Plymouth Duster 340 CID
- 1970-1970 Plymouth Duster 198 CID
- 1970-1970 Plymouth Duster 225 CID
- 1965-1967 Plymouth Belvedere II 273 CID
- 1965-1967 Plymouth Belvedere II 426 CID
- 1965-1967 Plymouth Belvedere II 383 CID
- 1965-1967 Plymouth Belvedere II 225 CID
- 1965-1967 Plymouth Belvedere II 318 CID
- 1966-1966 Plymouth Belvedere II 361 CID
- 1967-1967 Plymouth Belvedere II 440 CID
- 1979-1980 Buick Regal 301 CID
- 1978-1984 Chevrolet El Camino 305 CID
- 1978-1979 Chevrolet El Camino 350 CID
- 1979-1982 Chevrolet El Camino 267 CID
- 1978-1984 Chevrolet Impala 305 CID
- 1978-1984 Chevrolet Impala 350 CID
- 1980-1982 Chevrolet Impala 267 CID
- 1982-1982 Chevrolet Malibu 305 CID
- 1979-1984 Chevrolet Monte Carlo 305 CID
- 1979-1982 Chevrolet Monte Carlo 267 CID
- 1981-1981 Chevrolet Monte Carlo 350 CID
- 1960-1967 Ford Galaxie 352 CID
- 1960-1964 Ford Galaxie 223 CID
- 1960-1962 Ford Galaxie 292 CID
- 1961-1967 Ford Galaxie 390 CID
- 1962-1963 Ford Galaxie 406 CID
- 1963-1967 Ford Galaxie 427 CID
- 1963-1967 Ford Galaxie 289 CID
- 1963-1964 Ford Galaxie 260 CID
- 1963-1963 Ford Galaxie 200 CID
- 1965-1967 Ford Galaxie 240 CID
- 1966-1967 Ford Galaxie 428 CID
- 2006-2007 Ford Fusion 140 CID
- 1998-2000 Ford Crown Victoria 281 CID
- 1991-1996 Ford Escort 116 CID
- 1993-2001 Ford Explorer 245 CID
- 1967-1967 Ford Mustang 289 CID
- 1968-1973 Ford Mustang 302 CID
- 1983-2006 Ford Ranger 140 CID
- 1983-1988 Ford Ranger 122 CID
- 1983-1985 Ford Ranger 171 CID
- 1986-1992 Ford Ranger 177 CID
- 1990-2006 Ford Ranger 245 CID
- 1998-2001 Ford Ranger 153 CID
- 1967-1967 Ford Thunderbird 428 CID
- 1969-1974 Ford Torino 351 CID
- 1969-1974 Ford Torino 302 CID
- 1969-1974 Ford Torino 250 CID
- 1969-1970 Ford Torino 428 CID
- 1969-1970 Ford Torino 390 CID
- 1970-1973 Ford Torino 429 CID
- 1972-1974 Ford Torino 400 CID
- 1973-1974 Ford Torino 460 CID
- 2002-2004 Honda Civic 122 CID
- 1991-1993 Nissan NX 122 CID
- 1991-1993 Nissan NX 97 CID
- 1995-1995 Nissan Pickup 181 CID
- 1986-1994 Nissan D21 181 CID
- 1989-1994 Nissan Maxima 181 CID
- 1995-1996 Nissan Maxima 182 CID
- 1994-1997 Toyota Celica 107 CID
Emissions:
- This part is legal for sale or use on Emissions Controlled Vehicles, Uncontrolled (Non-Emissions Controlled) Vehicles, and Racing Use Only Vehicles because it does not affect vehicle emissions and is not covered by emissions regulations.
Shipping Notes
- Free Standard Shipping on $100+ Orders to the USA.
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Exchange/Return Notes
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4.5 ★★★★★
Based on 549 reviews
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Product Reviews
★★★★★ 5
Great gift idea!
Denomination: 0, Design Name: You're the best. (Animated)
Always a great gift for anyone and easy to purchase and redeem.
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Reviewed in the United States on May 12, 2026
★★★★★ 5
Quick delivery, Naturally a great and easy gift.
Denomination: 0, Design Name: You're the best. (Animated)
Always a great way to say thank you.
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Reviewed in the United States on June 6, 2026
★★★★★ 5
A Dyadic Review: Baffling, Brilliant
Difficult. Rewarding.
Serious. Hilarious.
Wise. Faux-wise.
Scholarly. Mock-scholarly.
Observant. Absurdly, obsessively observant.
Sharp characterizations. Ridiculous characters.
Devout. Bawdy.
Endearing. Frustrating.
Genius. Barking mad.
Narratively incoherent. Stream-of-consciousness associative.
Consistently provincial. Profoundly universal.
Mired in the 18th century. Harbinger of 20th century literary Modernism.
Baffling. Brilliant
Not for every taste. For my taste.
And while I'm at it, let me give a shout-out for the out-of-print Norton critical edition, which provides many helps, essay avenues of understanding, and a clever chapter summary/table of contents. For so many years - since reading Moby Dick in grad school with the help of a Norton critical - this publication line has been my go-to for great texts: useful annotations, contemporary reviews, later scholarly articles, and more.
And also let me give a shout-out to Anton Lesser, who narrated the complete novel for Naxos. I have never, ever experienced an audiobook as masterfully produced and narrated as Naxos' Tristram Shandy. No, it is simply not a book one can listen to and fully comprehend as heard. But one might read while listening, or listen while reading, with - if you have the riight software - the narration sped up closer to one's own reading speed, and experience the full majesty of Lesser's absolute preparation, with Latin, Greek, French, and German - as well as regional English - beautifully and humorously intoned, character voices carefully differentiated, tone and mood captured, etc. Or, as I do, go for a walk and listen as you walk, and afterward slip into a comfy chair, crack the novel open, and continue from where you left off, or backtrack if necessary to sort out the characters. In any event, and particularly for devotees of audio books, do find Anton Lesser's note-perfect reading, a veritable radio serial, perhaps the last book you'd expect anyone to attempt single-handedly, with My Father, My Uncle Toby, Corporal Trim, Parson Yorick, Doctor Slop, Widow Wadman, and all the rest of the supporting characters beautifully, consistently interpreted. Lesser is, in a galaxy of fine narrators, the greatest I've heard: an absolutely peerless voice actor in a most demanding work.
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Reviewed in the United States on June 13, 2016
★★★★★ 5
Brilliant stream of consciousness style, *extremely* humorous
"The Life and Opinions..." is perhaps impossible to really classify. It purports to be a biography of the fictional Tristram Shandy, but I don't think you can call something a biography when it only covers a year or so of the subject's life! I would say that more than half of the novel actually falls into the "Opinions" referred to in the title. The rest consists of short stories on Tristram's father, uncle, and a couple other minor characters.
I have never in my life read so many digressions from the topic at hand, most of which were utterly irrelevant but the charm of it is that Sterne *knows* they're irrelevant, but mockingly expresses his license of authorship in forcing the reader to go off on these sidetracks. His attitude is: "If you can't wait a chapter or two to get back to the story, well, go take a flying leap, I'm the author." Sometimes the digressions are exasperating. Very unlike Victor Hugo's signature habit of digressing, say when a certain main character in Notre Dame decides to enter the Paris sewers, Hugo takes thirty or more pages to give a history of the design and construction of the Paris sewer system. At least Hugo's digressions have *something* to do with the story.
Well, maybe that's the problem. There isn't a main story in this novel. It's not a storybook. There are many short stories nested within the main framework, but there is no real protagonist or overarching theme of any sort. Indeed, the end comes abruptly and there is absolutely no resolution of any conflict.
It's not trying to teach anything, really.
So what is it? I'm not sure. More a comedy than anything else. Right up there with Dickens' "Pickwick Papers" in terms of humor, but lacking the story. Maybe funnier than Dickens and just as clever. I was rolling in the aisles so many times I lost count.
I read the Penguin edition, edited by Melvyn & Joan New. The back cover does a better job than I could ever do in providing a sense of what you're getting into when you pick this one up:
"No one description will fit this strange, eccentric, endlessly complex masterpiece. It is a fiction about fiction-writing in which the invented world is as much infused with wit and genius as the theme of inventing it. It is a joyful celebration of the infinite possibilities of the art of fiction, and a wry demonstration of its limitations."
It's a large work, it will take a while to work through. It's worth it. There are passages I want to go back to and make copies of to tape to the walls, they're that brilliant.
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Reviewed in the United States on July 31, 2005
★★★★★ 3
Interesting read, but takes some getting used to
I heard about this book on a blog, and figured I'd check it out. It's the rambling tale of a man determined to give you every last detail of everything that might be important to the narrative of his life. Unfortunately, he goes on tangets so often that he doesn't even get to his birth for several chapters, let alone the story of the rest of his life. Along the way, you're introduced to lots of random characters who are (at best) loosely related to the protagonist, but as often as not these tangents are fairly amusing.
The writing is pretty dense, and this along with the tangents had me putting the book down fairly often. It's probably ideal for a commuting book, but I never wanted to just sit down and blitz through big chunks of it.
Overall it's a very different kind of experience than a novel reader typically gets. It's worth a read for a change of pace, but I can't say it's a life-altering read.
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Reviewed in the United States on March 21, 2013
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