SKU: 85196579729

Celin – All The Way... A Decade Of Song (Used) (Mint Condition) CD

Name: Celin – All The Way... A Decade Of Song (Used) (Mint Condition) CD
Brand: lesnenettesduvin.com
SKU: 85196579729
Price: 450.00 USD
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Rating: 4.2529 (1848 reviews)

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Celin – All The Way... A Decade Of Song (Used) (Mint Condition) CD1 The Power Of Love Arranged By David Foster Engineer David Reitzas, Humberto Gatica Engineer [Assistant] Bill Leonard, Erich Baron, Fred Kelly Guitar Michael Thompson Keyboards David Foster Keyboards [Additional] Claude Gaudette Mixed By Humberto Gatica Producer David Foster Programmed By Claude Gaudette Programmed By [Synclavier] Simon Franglen Written By Candy DeRouge*, Gunther Mende, Jennifer Rush Arranged By David Foster Engineer David Reitzas,

1	The Power Of Love Arranged By – David Foster Engineer – David Reitzas, Humberto Gatica Engineer [Assistant] – Bill Leonard, Erich Baron, Fred Kelly Guitar – Michael Thompson Keyboards – David Foster Keyboards [Additional] – Claude Gaudette Mixed By – Humberto Gatica Producer – David Foster Programmed By – Claude Gaudette Programmed By [Synclavier] – Simon Franglen Written-By – Candy DeRouge, Gunther Mende, Jennifer Rush Arranged By – David Foster Engineer – David Reitzas, Humberto Gatica Engineer [Assistant] – Bill Leonard, Erich Baron, Fred Kelly Guitar – Michael Thompson Keyboards – David Foster Keyboards [Additional] – Claude Gaudette Mixed By – Humberto Gatica Producer – David Foster Programmed By – Claude Gaudette Programmed By [Synclavier] – Simon Franglen Written-By – Candy DeRouge, Gunther Mende, Jennifer Rush	4:49
2	Beauty And The Beast Acoustic Guitar – Walter Afanasieff Arranged By – Robbie Buchanan, Walter Afanasieff Arranged By [Orchestral] – Walter Afanasieff Bass – Walter Afanasieff Engineer – Dana Jon Chappelle Engineer [Assistant] – Kyle Bess, Manny Lacarrubba, Matthew LaMonica* Keyboards – Walter Afanasieff Lyrics By – Howard Ashman Mixed By – Dana Jon Chappelle Music By – Alan Menken Oboe [Electric] – Joel Peskin Performer – Céline Dion, Peabo Bryson Producer – Walter Afanasieff Programmed By [Rhythm] – Walter Afanasieff Synth – Walter Afanasieff Synthesizer [Synclavier] – Walter Afanasieff Acoustic Guitar – Walter Afanasieff Arranged By – Robbie Buchanan, Walter Afanasieff Arranged By [Orchestral] – Walter Afanasieff Bass – Walter Afanasieff Engineer – Dana Jon Chappelle Engineer [Assistant] – Kyle Bess, Manny Lacarrubba, Matthew LaMonica* Keyboards – Walter Afanasieff Lyrics By – Howard Ashman Mixed By – Dana Jon Chappelle Music By – Alan Menken Oboe [Electric] – Joel Peskin Performer – Céline Dion, Peabo Bryson Producer – Walter Afanasieff Programmed By [Rhythm] – Walter Afanasieff Synth – Walter Afanasieff Synthesizer [Synclavier] – Walter Afanasieff	4:04
3	Think Twice Backing Vocals – Jackie Rowe, Pam Sayne Bass – Steve Piggot* Drums – Steve Piggot* Engineer – Simon Hurrell Engineer [Assistant] – Paul Mortimer Engineer [Mix] – Keith Cohen Guitar [Solo] – Aldo Nova Producer – Christopher Neil Producer [Additional] – Aldo Nova Programmed By [Keyboards] – Steve Piggot* Written-By – Andy Hill, Pete Sinfield*	4:48
4	Because You Loved Me Arranged By – David Foster Arranged By [Backing Vocals] – Carl Carwell, David Foster, Sue Ann Carwell Backing Vocals – Alanna Capps, Alex Brown, Bridgette Bryant, Carl Carwell, Kofi, Maxanne Lewis, Phillip Ingram, Terry Bradford, Will Wheaton Engineer – Felipe Elgueta Engineer [Assistant] – Mark Agostino, Peter Doell Executive-Producer [For Up Close & Personal] – Jon Avnet Guitar – Michael Thompson Keyboards – David Foster Mixed By – Humberto Gatica Mixed By [Assistant] – Chris Brooke, Kyle Bess, Paul Boutin Producer – David Foster Programmed By [Synclavier] – Simon Franglen Recorded By [Lead Vocal] – Humberto Gatica Written-By – Diane Warren Arranged By – David Foster Arranged By [Backing Vocals] – Carl Carwell, David Foster, Sue Ann Carwell Backing Vocals – Alanna Capps, Alex Brown, Bridgette Bryant, Carl Carwell, Kofi, Maxanne Lewis, Phillip Ingram, Terry Bradford, Will Wheaton Engineer – Felipe Elgueta Engineer [Assistant] – Mark Agostino, Peter Doell Executive-Producer [For Up Close & Personal] – Jon Avnet Guitar – Michael Thompson Keyboards – David Foster Mixed By – Humberto Gatica Mixed By [Assistant] – Chris Brooke, Kyle Bess, Paul Boutin Producer – David Foster Programmed By [Synclavier] – Simon Franglen Recorded By [Lead Vocal] – Humberto Gatica Written-By – Diane Warren	4:35
5	It's All Coming Back To Me Now Arranged By – Jeff Bova, Jim Steinman, Jimmy Bralower Backing Vocals – Eric Troyer, Glen Rundgren, Kasim Sulton, Rory Dodd, Todd Rundgren Bass – Steve Buslowe Co-producer – Roy Bittan, Steve Rinkoff Drums – Jimmy Bralower Drums [Additional] – Kenny Aronoff Engineer [Assistant] – Greg Pinto Grand Piano – Roy Bittan Guitar – Tim Pierce Guitar [Additional] – Eddie Martinez Keyboards – Jeff Bova Mixed By – Tony Phillips Percussion – Jimmy Bralower Percussion [Additional] – Bashiri Johnson Programmed By – Jeff Bova Recorded By – Steve Rinkoff Written-By – Jim Steinman Arranged By – Jeff Bova, Jim Steinman, Jimmy Bralower Backing Vocals – Eric Troyer, Glen Rundgren, Kasim Sulton, Rory Dodd, Todd Rundgren Bass – Steve Buslowe Co-producer – Roy Bittan, Steve Rinkoff Drums – Jimmy Bralower Drums [Additional] – Kenny Aronoff Engineer [Assistant] – Greg Pinto Grand Piano – Roy Bittan Guitar – Tim Pierce Guitar [Additional] – Eddie Martinez Keyboards – Jeff Bova Mixed By – Tony Phillips Percussion – Jimmy Bralower Percussion [Additional] – Bashiri Johnson Programmed By – Jeff Bova Recorded By – Steve Rinkoff Written-By – Jim Steinman	5:31
6	Immortality Arranged By – Walter Afanasieff Backing Vocals – Bee Gees Backing Vocals [Additional] – Jim Gilstrap, Lynn Davis, Phillip Ingram Computer [Programming] – Dan Shea Drum Programming [Additional Drum And Rhythm Programming] – Dan Shea Drum Programming [Drum And Rhythm Programming] – Walter Afanasieff Guitar – Michael Landau Keyboards – Walter Afanasieff Keyboards [Additional] – Dan Shea Organ [Hammond B-3] – Walter Afanasieff Programmed By [Additional] – Stu Brawley* Sound Designer [Sound Design] – Dan Shea Synth [Synth Bass] – Walter Afanasieff Written-By – Robin Gibb, Barry Gibb & Maurice Gibb Arranged By – Walter Afanasieff Backing Vocals – Bee Gees Backing Vocals [Additional] – Jim Gilstrap, Lynn Davis, Phillip Ingram Computer [Programming] – Dan Shea Drum Programming [Additional Drum And Rhythm Programming] – Dan Shea Drum Programming [Drum And Rhythm Programming] – Walter Afanasieff Guitar – Michael Landau Keyboards – Walter Afanasieff Keyboards [Additional] – Dan Shea Organ [Hammond B-3] – Walter Afanasieff Programmed By [Additional] – Stu Brawley* Sound Designer [Sound Design] – Dan Shea Synth [Synth Bass] – Walter Afanasieff Written-By – Robin Gibb, Barry Gibb & Maurice Gibb	4:12
7	To Love You More Arranged By – David Foster, Kryzler & Kompany Bass – Yoshinobu Takeshita Engineer – Felipe Elgueta, Humberto Gatica Engineer [Lead Vocals] – Humberto Gatica Guest – Kryzler & Kompany Guitar – Michael Thompson Keyboards – David Foster Mixed By – Humberto Gatica Producer – David Foster Programmed By – Felipe Elgueta Programmed By [Computer] – Yoshinobu Takeshita Programmed By [Synclavier] – Simon Franglen Synthesizer – Tsuneyoshi Saito Violin – Taro Hakase Written-By – David Foster, Junior Miles Arranged By – David Foster, Kryzler & Kompany Bass – Yoshinobu Takeshita Engineer – Felipe Elgueta, Humberto Gatica Engineer [Lead Vocals] – Humberto Gatica Guest – Kryzler & Kompany Guitar – Michael Thompson Keyboards – David Foster Mixed By – Humberto Gatica Producer – David Foster Programmed By – Felipe Elgueta Programmed By [Computer] – Yoshinobu Takeshita Programmed By [Synclavier] – Simon Franglen Synthesizer – Tsuneyoshi Saito Violin – Taro Hakase Written-By – David Foster, Junior Miles	4:42
8	My Heart Will Go On Arranged By – Walter Afanasieff Backing Vocals – Claytoven Richardson, Conesha Owens, Jeanie Tracy, Leslie Ellis, Skyler Jett Co-producer – James Horner Computer [Programming] – Dan Shea Conductor – William Ross Contractor [Orchestra Contractor] – Emilie Charlap* Drum Programming [Drum And Rhythm Programming] – Dan Shea Engineer [Lead Vocals] – Humberto Gatica Fiddle [Irish] – Paul Peabody Guitar – Dann Huff Keyboards – Dan Shea Mixed By – Humberto Gatica Orchestrated By – William Ross Producer – Walter Afanasieff Recorded By – David Gleeson, Humberto Gatica Sound Designer [Sound Design] – Dan Shea Synth [Synth Bass] – Dan Shea Tin Whistle [Pennywhistle] – Tony Hinnigan Written-By – James Horner, Will Jennings Arranged By – Walter Afanasieff Backing Vocals – Claytoven Richardson, Conesha Owens, Jeanie Tracy, Leslie Ellis, Skyler Jett Co-producer – James Horner Computer [Programming] – Dan Shea Conductor – William Ross Contractor [Orchestra Contractor] – Emilie Charlap* Drum Programming [Drum And Rhythm Programming] – Dan Shea Engineer [Lead Vocals] – Humberto Gatica Fiddle [Irish] – Paul Peabody Guitar – Dann Huff Keyboards – Dan Shea Mixed By – Humberto Gatica Orchestrated By – William Ross Producer – Walter Afanasieff Recorded By – David Gleeson, Humberto Gatica Sound Designer [Sound Design] – Dan Shea Synth [Synth Bass] – Dan Shea Tin Whistle [Pennywhistle] – Tony Hinnigan Written-By – James Horner, Will Jennings	4:41
9	I'm Your Angel Arranged By – R. Kelly Arranged By [Orchestra] – Rob Mathes Backing Vocals – Ayana George, Cathy Richardson, Cheryl Wilson, Dennis Collins, Diva Gray, Elizabeth Withers, Fonzi Thornton, Jeff Morrow, Joan Walton, Johnny Rutledge, Latasha Jordan, Lisa Lougheed, Loris Holland, Nancey Jackson, Paulette McWilliams, Rob Trow, Robert Bowker, Robert Moe, Robin Robinson, Spencer Washington, Stevie Robinson, Tawatha Agee, Anthony Ransom, Troy Bright, Yvonne Gage Conductor – Rob Mathes Conductor [Choir] – Lafayette Carthon, Loris Holland Conductor [Vocals] – Lafayette Carthon, Loris Holland Drum Programming – Jimmy Bralower, Steve Skinner Keyboards – Steve Skinner Keyboards [Additional] – Lafayette Carthon, Loris Holland Organ – Loris Holland Producer – R. Kelly Programmed By – Stephen George, Tony Black Vocals [Duet] – R. Kelly Written-By – R. Kelly Arranged By – R. Kelly Arranged By [Orchestra] – Rob Mathes Backing Vocals – Ayana George, Cathy Richardson, Cheryl Wilson, Dennis Collins, Diva Gray, Elizabeth Withers, Fonzi Thornton, Jeff Morrow, Joan Walton, Johnny Rutledge, Latasha Jordan, Lisa Lougheed, Loris Holland, Nancey Jackson, Paulette McWilliams, Rob Trow, Robert Bowker, Robert Moe, Robin Robinson, Spencer Washington, Stevie Robinson, Tawatha Agee, Anthony Ransom, Troy Bright, Yvonne Gage Conductor – Rob Mathes Conductor [Choir] – Lafayette Carthon, Loris Holland Conductor [Vocals] – Lafayette Carthon, Loris Holland Drum Programming – Jimmy Bralower, Steve Skinner Keyboards – Steve Skinner Keyboards [Additional] – Lafayette Carthon, Loris Holland Organ – Loris Holland Producer – R. Kelly Programmed By – Stephen George, Tony Black Vocals [Duet] – R. Kelly Written-By – R. Kelly	5:31
10	That's The Way It Is Backing Vocals – Andreas Carlsson, Leah Haywood, Max Martin, Nana Hedin Bass – Tomas Lindberg Engineer [Assistant] – Chris Brooke Engineer [Lead Vocals] – Humberto Gatica Guitar – Esbjörn Öhrwall Keyboards – Kristian Lundin, Max Martin Mixed By – Kristian Lundin, Max Martin Producer – Kristian Lundin, Max Martin Programmed By – Kristian Lundin, Max Martin Recorded By – Kristian Lundin, Max Martin Written-By – Andreas Carlsson, Kristian Lundin, Max Martin Backing Vocals – Andreas Carlsson, Leah Haywood, Max Martin, Nana Hedin Bass – Tomas Lindberg Engineer [Assistant] – Chris Brooke Engineer [Lead Vocals] – Humberto Gatica Guitar – Esbjörn Öhrwall Keyboards – Kristian Lundin, Max Martin Mixed By – Kristian Lundin, Max Martin Producer – Kristian Lundin, Max Martin Programmed By – Kristian Lundin, Max Martin Recorded By – Kristian Lundin, Max Martin Written-By – Andreas Carlsson, Kristian Lundin, Max Martin	4:03
11	If Walls Could Talk Backing Vocals – Robert John Lange, Shania Twain Engineer [Assistant] – Chris Brooke, Jack Hersca, Michel Gallone Engineer [Mixed] – Humberto Gatica Guitar – Jacques Saugy Producer – Robert John Lange Programmed By – Olle Romo, Richard Meyer (4) Recorded By [Lead Vocals] – Humberto Gatica Written-By – Robert John Lange	5:19
12	The First Time Ever I Saw Your Face Arranged By – David Foster Arranged By [Strings] – William Ross Engineer – Felipe Elgueta, Humberto Gatica Guitar – Dean Parks Keyboards – David Foster Mixed By – Humberto Gatica Mixed By [Assisted] – Chris Brooke Producer – David Foster Programmed By [Synth] – Felipe Elgueta Recorded By [Assisted] – Chris Brooke, Ron Last Recorded By [Lead Vocals] – Humberto Gatica Written-By – Ewan MacColl Arranged By – David Foster Arranged By [Strings] – William Ross Engineer – Felipe Elgueta, Humberto Gatica Guitar – Dean Parks Keyboards – David Foster Mixed By – Humberto Gatica Mixed By [Assisted] – Chris Brooke Producer – David Foster Programmed By [Synth] – Felipe Elgueta Recorded By [Assisted] – Chris Brooke, Ron Last Recorded By [Lead Vocals] – Humberto Gatica Written-By – Ewan MacColl	4:09
13	All The Way Arranged By – David Foster Arranged By [Strings] – Jeremy Lubbock Drum – John Robinson* Engineer – Felipe Elgueta Keyboards – David Foster Mixed By – Humberto Gatica Mixed By [Assisted] – Chris Brooke Producer – David Foster, Rene Angelil* Programmed By [Synth] – Felipe Elgueta Recorded By [Assisted] – Chris Brooke Recorded By [Lead Vocals] – Humberto Gatica Vocals – Frank Sinatra Written-By – Jimmy Van Heusen, Sammy Cahn Arranged By – David Foster Arranged By [Strings] – Jeremy Lubbock Drum – John Robinson* Engineer – Felipe Elgueta Keyboards – David Foster Mixed By – Humberto Gatica Mixed By [Assisted] – Chris Brooke Producer – David Foster, Rene Angelil* Programmed By [Synth] – Felipe Elgueta Recorded By [Assisted] – Chris Brooke Recorded By [Lead Vocals] – Humberto Gatica Vocals – Frank Sinatra Written-By – Jimmy Van Heusen, Sammy Cahn	3:53
14	Then You Look At Me Acoustic Guitar – Dean Parks Arranged By – James Horner, Simon Franglen Electric Guitar – Michael Thompson Engineer – Felipe Elgueta, Simon Franglen, Simon Rhodes Keyboards – Simon Franglen Orchestrated By – James Horner Producer – David Foster, James Horner, Simon Franglen Programmed By [Synth] – Simon Franglen Recorded By [Assisted] – Chris Brooke, Dave Ashton Recorded By [Lead Vocals] – Humberto Gatica Written-By – James Horner, Will Jennings Acoustic Guitar – Dean Parks Arranged By – James Horner, Simon Franglen Electric Guitar – Michael Thompson Engineer – Felipe Elgueta, Simon Franglen, Simon Rhodes Keyboards – Simon Franglen Orchestrated By – James Horner Producer – David Foster, James Horner, Simon Franglen Programmed By [Synth] – Simon Franglen Recorded By [Assisted] – Chris Brooke, Dave Ashton Recorded By [Lead Vocals] – Humberto Gatica Written-By – James Horner, Will Jennings	4:11
15	I Want You To Need Me Arranged By – Matt Serletic Bass – Leland Sklar Drums – Kenny Aronoff Engineer – Chris Brooke, Dave Ashton Engineer [2nd] – Andy Haller Guitar – Michael Thompson Keyboards – Jon Gilutin Mixed By – Humberto Gatica Percussion – Luis Conte Piano – Jon Gilutin Producer – Matt Serletic Recorded By – David Thoener Recorded By [Vocals] – Humberto Gatica Transferred By – Tal Herzberg Written-By – Diane Warren Arranged By – Matt Serletic Bass – Leland Sklar Drums – Kenny Aronoff Engineer – Chris Brooke, Dave Ashton Engineer [2nd] – Andy Haller Guitar – Michael Thompson Keyboards – Jon Gilutin Mixed By – Humberto Gatica Percussion – Luis Conte Piano – Jon Gilutin Producer – Matt Serletic Recorded By – David Thoener Recorded By [Vocals] – Humberto Gatica Transferred By – Tal Herzberg Written-By – Diane Warren	4:36
16	Live For The One I Love Acoustic Guitar – Dean Parks Arranged By – David Foster Drums – John Robinson (2) Electric Guitar – Michael Thompson Engineer – Felipe Elgueta, Humberto Gatica Keyboards – David Foster Mixed By – Humberto Gatica Producer – David Foster, Humberto Gatica Programmed By [Synth Programming] – Felipe Elgueta Recorded By [Lead Vocal] – Humberto Gatica Written-By – Luc Plamondon, Riccardo Cocciante, Will Jennings Acoustic Guitar – Dean Parks Arranged By – David Foster Drums – John Robinson (2) Electric Guitar – Michael Thompson Engineer – Felipe Elgueta, Humberto Gatica Keyboards – David Foster Mixed By – Humberto Gatica Producer – David Foster, Humberto Gatica Programmed By [Synth Programming] – Felipe Elgueta Recorded By [Lead Vocal] – Humberto Gatica Written-By – Luc Plamondon, Riccardo Cocciante, Will Jennings	3:58

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Product Reviews

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Stephanie

Dallas, US

★★★★★ 5

An action-packed dark romantasy

Format: Kindle

I loved this book! Queen of Roses is an Arthurian-inspired dark romantasy that is the first book in the Blood of Fae series. The story follows Morgan, the princess of Camelot who is rumored to be part fae. Fueled by prejudiced hatred and a mistrust of fae blood, Morgan’s abusive father strips her of her birthright and hands it to her half-brother, Arthur. Instead of becoming queen, Morgan is commanded to join the temple of the goddesses when she comes of age. However, Arthur turns into a psychopathic, power-hungry, fae-hating king as he ages. He develops malevolent plans and commands Morgan to find an ancient weapon with legendary power. Although Morgan is wary of Arthur’s intentions, she embraces the opportunity to go on a journey and potentially change her fate. The story picks up from there and we follow Morgan on her quest to find the ancient relic. It’s full of high stakes adventure, mystery, tension, banter, forced proximity, hidden magic, self discovery, and betrayal. This first installment of the series intricately develops the world building and character development. There’s little romance in this book, but it is evident that it is a slow burn that will continue to develop throughout the remainder of the series. Overall, I loved the world building, the epic fantasy, Morgan’s journey of self discovery, and all of the twists and turns that set the stage for the future installments. I can’t wait to see what happens next!

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Reviewed in the United States on April 7, 2024

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AlynReads

West Palm Beach, US

★★★★★ 4

Arthurian Fae Quest…say less.

Format: Kindle

A fae centered Arthurian tale unlike any I’ve read so far. The author did a great job at descriptive world building, with scenes easily playing out in my minds eye. There was plenty of action, suspense, and even a touch of horror. An enemies to lovers, slow burn romance, a quest, with plot twist and turns aplenty. There was a love triangle, which I’m not usually a fan of but, it played out well in this story line. The FMC, Morgan Pendragon, was so blatantly naïve, yet I typically expect as much in a ‘book one’ of a series, especially one that features a fairly sheltered princess. I was happy to read that in spite of this, she still showed a strong sense of morals, fire, and spine. Now our MMC? Kairos Draven, aka Void’s Edge. Oh, how I’m a sucker for a smoking’ hot grumpy warrior alpha with a witty mouth, and a strong sense of “touch her and die” attitude, so you know who held all my cards. That ending? Just made me swoon all the harder. Now add a battlecat that rivals the size of a horse…and well Ms. Briar Boleyn you have well and truly stolen my heart. I’m excited to see where the story goes from here, and follow along to see more of the characters growth. I went into this story fairly blind, and I think I enjoyed it all the more because of it. Once the story got going, it had me in an absolute chokehold and it was difficult to put down.

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Reviewed in the United States on May 12, 2024

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Ariel

Dallas, US

★★★★★ 3

Not a bad start

Format: Kindle

3 stars Thank you Netgalley and Briar Boleyn for the ARC! A camelot/king Arthur retelling with fae. I was hooked by the idea of this book immediately and was eager to jump into this world. • slow burn • enemies to lovers • who did this to you Morgan Pendragon watched her mother die by her father's hand when she was just eight years old, hiding under the bed. Morgan is believed to have the tainted blood of the fae in her veins and is cast aside so that her fathers illegitimate son, Arthur, can become the king. She's seen his cruel treatment of the fae firsthand, so when he sends her on a journey to find a fae weapon she seizes the opportunity to do more with her life. Along the way, she finds more than she could have imagined. I don't know a whole lot about King Arthur and Camelot but I had a lot of fun with this story! The plot has some similar tropes to popular romantasy books (From blood and ash) but there's enough originality here that it doesn't feel like I'm reading a copy. I liked how the fae were different in appearance than what is typical in most fantasy books I've read. In this book they have blue hair, violet skin and a wide range of other characteristics. I thought that the world building was easy to follow and I could easily immerse myself into this world. After reading the blurb I kept wondering when she was going to go on the journey to find Excalibur and it doesn't happen until around the 45% mark. The story is a bit slow at times but starts to pick up once they begin their journey to find Excalibur. The John Wick style Inn was a fun concept that I enjoyed reading about. There are a lot of similarities to this and FBAA and I would have liked to have it be a little more different, but I'm hoping book two will have the story turn into something of its own. Overall I enjoyed reading this story and I'm looking forward to reading book two especially after that ending.

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Reviewed in the United States on May 27, 2023

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Vikki Lynn

San Leandro, US

★★★★★ 5

Unraveling Fate and Fae: A Captivating Journey in "Queen of Roses"

Format: Kindle

"Queen of Roses" by Briar Boleyn is a dark fantasy romance that masterfully combines elements of myth, magic, and romance with a captivating King Arthur retelling infused with a Fae twist. From its intricately woven plot to its compelling characters, this novel delivers an immersive reading experience that will leave readers eagerly anticipating the next installment. At its core, "Queen of Roses" is an enchanting tale of forbidden love and destiny, featuring an exceptionally slow-burn romance that ignites with the intensity of an enemies-to-lovers trope. Against a backdrop of magic and mythical creatures, the story unfolds with tension, banter, and forced proximity, drawing readers into a world filled with love, friendships, self-discovery, and betrayal. While the novel excels in world-building, character development, and plot intricacies, some readers may yearn for a bit more fire and spice in certain aspects of the narrative. However, the promise of future developments in the series offers hope for an even more dynamic and engaging story to come. I know I personally cannot wait to get into book 2. With a cliffhanger ending that leaves hearts racing and minds reeling, "Queen of Roses" succeeds in immersing readers from start to finish. Its dark and twisted fantasy elements are expertly balanced with moments of adventure, action, and unexpected twists, keeping readers on the edge of their seats until the very last page. As the story delves into complex themes and explores the depths of its characters' struggles and desires, it's important to note that "Queen of Roses" may contain triggering content. Readers are advised to check the trigger warnings before diving into this captivating tale. Overall, "Queen of Roses" is a must-read for fans of dark fantasy romance, offering a mesmerizing journey that will leave readers eagerly anticipating the next chapter in the series. With its lush prose, intricate storytelling, and unforgettable characters, this novel is sure to leave a lasting impression on all who venture into its enchanted world. I want to extend a heartfelt shoutout to the author for granting me the opportunity to dive into "Queen of Roses" through NetGalley. It has been an absolute pleasure to explore the captivating world and characters crafted with such skill and imagination. Thank you for entrusting me with this glimpse into your enchanting world.

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Reviewed in the United States on April 1, 2024

Verified Purchase

Luna Fae

Grantham, US

★★★★★ 4

Right from the start, I was drawn in by the prologue!!!

Format: Paperback, Format: Paperback

Queen of Roses (Blood of a Fae #1) by Briar Boleyn Genre General Fiction ( Adult), Romance, Sci-Fi & Fantasy, Dark Romance “More primordial than the stars. My name was on his lips as he promised unspeakable darkness to any who came between us.” Right from the start, I was drawn in by the prologue!!! I’m a big fan of “touch her, and you die” vibes, but I mean, what’s also not to love about a unique Arthurian retelling with gender twists, a treacherous royal court, a dangerous quest, magical Fae & mystical monsters, entwined with a bit of spice! Morgan, Princess of Pendrath and true heir to the throne has spent most of her life dimming her light to feel safe and to make others comfortable. She is treated as an outcast in the court and repressed by her family due to the blood of the Fae within her and forced to join the Temple of the Three as a priestess in training to one day replace Merlin. Her brother, King Arthur, who reminds me of Joffrey from Game of Thrones, later tells her that he has other plans and offers her a choice of the Temple or to marry her off for political gain, unless… that is, she can journey through the great unknown and return with a long-lost fae weapon with enchanted powers known as Excalibur. Her quest begins with a roguish crew that includes the mysterious, arrogant, and heart-tuggingly handsome Captain of the Royal Guard, Kairos Draven, whom she can’t decide if she wants to stab or indulge in pleasure with. Along the way are plenty of surprises, mystical creatures, and betrayal, all while Morgan uncovers more of the truth about herself and who she can trust. This book had intriguing storylines and lovable characters that kept me turning pages and wanting more. I can’t wait to see how it all unfolds and comes together in book 2, Court of Claws, which I just started reading!! Read if you’re into- Dark Fantasy/Romance Slow–Burn Question Everything Magic and Action Fae Arthurian Legend Stabby/Broken FFC Morally Gray MMC Forced Proximity Queen of Roses is perfect for Holly Black, Jennifer L. Armentrout, and Sarah J. Maas fans. Please check the trigger warnings page in the table of contents before reading this book.

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Reviewed in the United States on August 16, 2023